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Artifact Corner: Honeymoon Journal

Hi Everyone, Happy 2024, and welcome back to another artifact corner. Today we will be looking at the honeymoon journal of Frances Henrietta Delord Webb. She wrote this journal while sailing across the Atlantic and traveling across Europe with her husband, Henry Webb. The journal begins with her departure from Plattsburgh in August of 1832. She and Henry then travel south to visit his family in Connecticut. They then headed to New York to board a vessel bound for the coast of France. Frances writes about the journey across in some detail. Here is an excerpt from her journal:
“We have occasionally seen some of the productions of the deep – our attention has been called to the shouting of whales, and the playing of porpoises about the ship – I last evening witnessed quite a singular phenomena, the emitting as if it were sparks of fire in the wake of the vessel – it appeared something like riding through fire – how it is produced I am not philosopher enough to tell, but it strikes me it may be a sort of electricity.”

It seems like what Frances is discussing when describing “riding through fire” is what we today call bioluminescence. Bioluminescence is the production and emission of light by living organisms. It is a form of chemiluminescence. Bioluminescence occurs widely in marine vertebrates and invertebrates, as well as in some fungi, microorganisms including some bioluminescent bacteria, and terrestrial arthropods such as fireflies. She also describes hearing whales and seeing porpoises playing in the wake of their ship. The vessel they were on was called the Rhone, and was a sailing vessel. While the first steam vessel crossed the Atlantic in 1819, steam transport did not become commonplace until the 1840’s.

Frances’ next quote comes the following day, “Also among the deeds of yesterday we spoke a vessel bound for Quebec – there is something very pleasant in falling in with a vessel – like the passing of a compliment with a friend – Another day has passed over us finding ourselves in longitude 19 – latitude 48-23 – here sits my dear husband and myself driving our pens famously.”

This passage was a bit of a challenge. It took us a fair amount of time to try to locate the coordinates that Frances lists in her journal. After some calculations, we believe their ship was closing on the coast of France, but still had not passed Britain. The navigational system that the ships captain was using was called a chronometer, which were first developed for marine navigation, being used in conjunction with astronomical observation to determine longitude. By the time of their voyage chronometers were almost 100 years old, and a very reliable tool for navigating open water. The coordinates she lists were a bit wonky, but with some sleuthing, we were able to see where they were in the Atlantic when Frances was writing that passage.

The journal Frances wrote is incomplete. It is believed that she left a portion of it in Europe. It is a fascinating document detailing life and traveling in the early 1830’s. The journal is in good condition, given it’s age, and the shear miles it traveled during their Honeymoon. We are so lucky to have this document in our collections. Thanks so much for stopping by!

The following music was used for this media project:
Music: Sunny Morning by MusicLFiles
Free download: https://filmmusic.io/song/7813-sunny-morning
License (CC BY 4.0): https://filmmusic.io/standard-license
Artist website: https://cemmusicproject.wixsite.com/musiclibraryfiles

Artifact Corner: Frank Hall Wright, the “Indian Evangelist”

Hi Everyone, and welcome back to another artifact corner. Today we will be looking at a picture from our collections. This picture is not dated, but was likely taken in the mid to late 1890’s. The picture was taken in Dallas Texas, as we can see from the writing on the cardboard frame. On the back of the picture it says, “Frank Hall Wright and Family.” So, who are the Wright family, and why do we have this portrait in our collections? Let’s learn a bit more about Frank Hall Wright.

Frank Hall Wright was born on January 1st, 1860 in Atoka County in Oklahoma. His father was Allen Wright a full blooded member of the Choctaw Native Americans. Hi mother was Harriet Newell Mitchell Wright who was of Scotch-Irish decent. Frank’s father, Allen was left an orphan at an early age and was adopted by a Christian Missionary. He converted to Christianity and was educated at Union Theological Seminary of New York City. Frank himself also attended this college, following in his father’s footsteps, and becoming a minister. In 1885 Frank married Ada Lilienthal from Saratoga Springs, NY. They had two children together, Frank Hall Wright, Jr. and their daughter Gladys Wright. Both children were born in New York State. Frank and his young family traveled the country, while Frank gave sermons. One parishioner who attended said of Frank;
“One of the chief charms about Dr. Wright both as a man and evangelist, is his wonderfully sweet voice. I have heard few sweeter tenor voices than he has. Every time I heard him, he concluded each sermon with an appropriate song. Although it has been a long time since I saw and heard him, some of the songs he sang with such marvelous sweetness and wonderful effectiveness linger with me still.”

A minister friend of Rev. Wright wrote of him “”As well as I can remember, Dr. Wright is a man of medium height. At the time I knew him his hair and mustache were black. He wore glasses. He is half Indian. Somebody twitted him once about having to use glasses and also having some trouble with his teeth. He replied: That is the white blood in me.” Tragedy struck the family when their only son was killed in World War I on April 12, 1918. He was just 27 years old. Frank continued to travel the country giving sermons. He traveled to Canada in 1922, and on July 16th, he passed away. His local newspaper reported on it, and here is what they said: “Information was received here of the recent death at Muskoka Lake, Ontario, Canada, of Dr. Frank H. Wright, known as the “Indian Evangelist.” He was sixty-one years old and a son of the late Governor Allan Wright, who was a full-blooded Choctaw Indian, and a noted minister of the Southern Presbyterian church. The body of Dr. Wright was taken to St. Louis for interment beside the body of his son, who lost his life in the world war.”

This picture is in quite good condition, given it’s easily 120 years old. We don’t know if Frank Wright knew our Frank Hall, but given how much Frank Wright traveled, it would not be surprising if the two did meet. They were both ministers and men of faith. The picture is lovely and we are so lucky to have it in our collections. Thanks so much for stopping by!

The following music was used for this media project:
Music: Sunny Morning by MusicLFiles
Free download: https://filmmusic.io/song/7813-sunny-morning
License (CC BY 4.0): https://filmmusic.io/standard-license
Artist website: https://cemmusicproject.wixsite.com/musiclibraryfiles

The History of Santa Claus

Hi Everyone! Our Holiday Open House and Craft festival is this Saturday from 10-3. We are celebrating Santa Claus this year. So we thought it might be fun to take a look at the history of Santa.

The legend of Santa Claus can be traced back hundreds of years to a monk named St. Nicholas. It is believed that Nicholas was born sometime around A.D. 280 in Patara, near Myra in modern-day Turkey. Much admired for his piety and kindness, St. Nicholas became the subject of many legends. It is said that he gave away all of his inherited wealth and traveled the countryside helping the poor and sick. In the Netherlands and Belgium St. Nicholas became Sinterklaas, a skinny bearded man in a red suit, trimmed with fur and wearing a bishop’s miter. Sinterklaas would leave presents for good girls and boys in their shoes left by the children’s beds, and he would also bring treats for the families horses. In 1804, John Pintard, a member of the New York Historical Society, distributed woodcuts of St. Nicholas at the society’s annual meeting. The background of the engraving contains now-familiar Santa images including stockings filled with toys and fruit hung over a replace. In 1822, Clement Clarke Moore, an Episcopal minister, wrote a long Christmas poem for his three daughters entitled “An Account of a Visit from St. Nicholas,” more popularly known as “‘Twas The Night Before Christmas.” Although some of Moore’s imagery was probably borrowed from other sources, his poem helped popularize the now-familiar image of Santa. In 1930, artist Fred Mizen painted a department-store Santa in a crowd drinking a bottle of Coke. The ad featured the world’s largest soda fountain, which was located in the department store Famous Barr Co. in St. Louis, MO. Mizen’s painting was used in print ads that Christmas season, appearing in The Saturday Evening Post in December 1930. It was an instant success and further cemented our modern image of Santa.

We are so lucky that Santa will be joining us this weekend for our event, so if you have little ones, please bring them along so they can give Santa their wish list! The event is free and we are open from 10-3. We hope to see you there!

Holiday Open House

Hi Everyone, we are taking a quick break from our Artifact Corner videos to tell you about our upcoming Holiday Open House and Artisan Craft Festival. We have local artists, blacksmiths, basket weavers, quilters, honey goods, and more! We also have it on good authority that Santa will be stopping by to take requests from children. This Saturday December 2, we are opening our doors from 10 to 3. Admission to the event is free!

Artifact Corner: House Pictures

Hi Everyone, today we will be looking at some amazing photos from our collections of our museum. This series of pictures is from the 19- teens through the 1930’s. We are so lucky to have these in our collections. Thanks so much for stopping by.

The following music was used for this media project:
Music: Sunny Morning by MusicLFiles
Free download: https://filmmusic.io/song/7813-sunny-morning
License (CC BY 4.0): https://filmmusic.io/standard-license
Artist website: https://cemmusicproject.wixsite.com/musiclibraryfiles

Artifact Corner: Umbrella

Hi Everyone, and welcome back to another artifact corner. Today we will be looking at an absolutely stunning umbrella. This piece likely dates to the early part of the 19th Century. It is made from multiple materials. The canopy is made of silk, the shaft is made of wood, the ribs are made of steel, the handle is made of brass and ivory. The ferrule, or the tip of the umbrella is also made of brass that has an engraved design on it. The handle has a name engraved in the ivory, Matthew Lane, who appears to hail from Troy, NY. We do not know who Matthew is, or why his umbrella ended up in our collections, but I’ll talk about that more in a bit. First let’s learn a bit more about umbrellas.

The English word “umbrella” comes from the Italian word “ombrella”, which traces its origins from the Latin word “umbella”, which is then derived from “umbra”. These Latin terms translate to shade or shadow. Like the word “parasol”, which is a combination of the French words “parare” and “sol” to mean “shield from the sun”, the umbrella was originally used to give oneself shade from the heat of the sun. Almost every ancient culture had umbrellas. Ancient Egyptians made umbrellas out of palm fronds, feathers, and stretched papyrus. In Mesopotamia, a similar picture is painted by artifacts from around the same period. Hindu culture assigns great importance to the umbrella with the chatra, a symbol in Hinduism closely connected to divinity and fortune. China made use of umbrellas and parasols as protection from both the sun and rain, but this practice was also con ned to the upper classes. Women in both Ancient Greece and Rome had parasols to protect them from the sun, but they were also a sought after fashion accessory. Records of umbrellas in Europe’s Middle Ages are extremely rare. Cloaks were the oft-cited instrument that medieval European people used to cover themselves when caught out in the rain. Umbrellas came back into fashion in Europe around the 16th Century. They were mostly used by women, until the mid to late 18th Century, when men started to adopt the practice of carrying one.

So, who is Matthew Lane, and why do we have his umbrella? Well, property records indicate that a Matthew Lane was selling, leasing, and buying a lot of property in Rensselaer County and Clinton County NY in the 1830’s. So, he seems to be a mover and shaker in the Albany area as well as up in our neck of woods in the 1830’s. If our research is correct, Matthew Lane’s father was a Revolutionary War veteran, and a very prominent businessman in Troy from the late 1700’s. So, Matthew and his family would have been well known in the area from the 1790’s through the 1860’s and 70’s. In 1832 our Frances Henrietta Delord was being courted and then married prominent businessman and Albany resident Henry Webb. Did they connect at a party perhaps, and he gifted them this umbrella on a rainy night? Did they somehow all meet in Plattsburgh at a social gathering? We simply have no records of it, so the umbrella’s history is still shrouded in mystery.

This umbrella is in good condition given it’s age and likely use. The silk has torn in some spots, most typically the wear spots on the piece, but the mechanical aspects still work. The handle, ribs and shaft are all in good condition. This is a truly stunning piece and we are so lucky to have it in collections. Thanks so much for stopping by.

The following music was used for this media project:
Music: Sunny Morning by MusicLFiles
Free download: https://filmmusic.io/song/7813-sunny-morning
License (CC BY 4.0): https://filmmusic.io/standard-license
Artist website: https://cemmusicproject.wixsite.com/musiclibraryfiles